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عرض كامل الموضوع : Tennessee Williams


The morning
26/04/2008, 18:48
Thomas Lanier Williams


known by

Tennesse Williams


March 26,1911
to February 23, 1983




His Life:
Born to Cornelius and Edwina Dakin Williams on March 26, 1911, in Columbus, Mississippi, Thomas Lanier "Tennessee" Williams was amply prepared for writing about society¹s outcasts. His mother was an aggressive woman, obsessed by her fantasies of genteel Southern living. His father, a traveling salesman for a large shoe manufacturer, was at turns distant and abusive. His older sister, Rose, was emotionally disturbed and destined to spend most of her life in mental institutions. He remained aloof from his younger brother, Dakin, whom his father repeatedly favored over both of the older children. Who could have fortold that this shy, sickly, confused young man would become one of America's most famous playwrights.
More than a half century has passed since critics and theater-goers recognized Williams as an important American playwright, whose plays fellow dramaturge David Mamet calls "the greatest dramatic poetry in the American language" (qtd. in Griffin 13). Williams's repertoire includes some 30 full-length plays, numerous short plays, two volumes of poetry, and five volumes of essays and short stories. He won two Pulitzer Prizes (for A Streetcar Named Desire in 1947 and Cat on a Hot Tin Roof in 1955), and was the first playwright to receive, in 1947, the Pulitzer Prize for drama, the Donaldson Award, and the New York Drama Critics Circle Award in the same year. (For a complete listing of Williams's published work, go to the "Tennessee Williams Links" page on this web site and, from there, to the Ole Miss web site.)
Although Williams's first professionally produced play, Battle of Angels, closed in 1940 because of poor reviews and a censorship controversy (Roudané xvii), his early amateur productions of Candles to the Sun and Fugitive Kind were well-received by audiences in St. Louis. By 1945 he had completed and opened on Broadway The Glass Menagerie, perhaps his best-known play, which won that year's New York Critics Circle, Donaldson, and Sidney Howard Memorial awards. In the course of his career, Williams accumulated four New York Drama Critics Awards; three Donaldson Awards; a Tony Award for his 1951 screenplay, The Rose Tattoo; a New York Film Critics Award for the 1953 film screenplay, A Streetcar Named Desire; the Brandeis University Creative Arts Award (1965); a Medal of Honor from the National Arts Club (1975); the $11,000 Commonwealth Award (1981); and an honorary doctorate from Harvard University (1982). He was honored by President Carter at Kennedy Center in 1979, and named Distinguished Writer in Residence at the University of British Columbia, Vancouver, in 1981.
In addition to kudos from critics, Williams held for many years the attention of audiences in America and abroad. By 1955 his reputation was firmly established; that year's Broadway production of Cat on a Hot Tin Roof ran for 694 performances (Roudane xx). Some years after their first Broadway runs, four of his plays were revived successfully there: Cat on a Hot Tin Roof (1974), Summer and Smoke (September, 1975), Sweet Bird of Youth (October, 1975), and The Glass Menagerie (December, 1975). On the day of Williams's death, the New York evening papers issued an impressive list of famous actors who have performed in his plays; these include Jessica Tandy, Marlon Brando, Geraldine Page, Paul Newman, Maureen Stapleton, Eli Wallach, Tallulah Bankhead, Burl Ives, Katherine Hepburn, Elizabeth Taylor, Montgomery Clift, and Bette Davis (Leverich 5-6). Whether one argues that these actors were made famous by Williams's work, or that the quality of his work attracted the most popular film and stage performers, the connection between Williams and these near-legends of film and stage establishes the playwright as one of the most important figures in twentieth-century drama. R. Barton Palmer notes that Williams had more influence on the development of American cinema than any other twentieth century playwright.
Williams died on February 23, 1983. It is a curious coincidence that Williams¹s life ended in a place that shared the name of the apartment building in which one of his best-known characters, Blanche DuBois in A Streetcar Named Desire, met her figurative end. He died in the Elysee Hotel in New York; the name of the apartment building in Streetcar is Elysian Fields. It is perhaps appropriate that Williams died in a hotel--the traditional bivouac of wanderers and outcasts--rather than in his home at Key West or in New Orleans. He was buried in St. Louis at the request of his brother.

The morning
30/04/2008, 06:57
His Plays: 38
27 wagons full of Cotton: 194 Camino Real: 1953
Cat on a Hot Tin Roof: 1955
Clothes for a Summer Hotel: a Ghost Play: 1983
Battle of Ages: 1945
Dragon Counting, A book of Plays: 1970
The Eccentricities of a Nightingale: 1964
Five Play: 19625
American Blues: 1953
The Fugitive Kind: 1960
Garden District: 1959
The Glass Menagerie: 1945
Grand: 1964
I Raise a Flame, Cried he Phoenix: 1951
In the Bar of a Tokyo Hotel: 1969
Kingdom of the Earth: 1968
A lovely Sunday Creve Coer: 1980
The Milk Train doesn't stop here anymore: 1964
The Mutilated: 1967
The Night of the Iguana: 1961
Not About Nightingales: 1998
Orpheus Descending: 1958
A Perfect Analysis is given by a Parrot: 1958
Period Adjustment: 1960
The Red Devil Battery Sign: 1988
Te Remarkable Rooming-House of mine: 1984
The Rose tattoo: 1951
Small Craft Warnings: 1973
Something Cloudy, Something Clear: 1995
Steps must be Gentle: 1980
Stopped Rocking and other Screenplays: 1984
A Street Car Named Desire: 1947
Suddenly Last Summer: 1958
Summer and Smoke: 1948
Sweet Bird of Youth: 1958
The Two-Character Play: 1979
Vieux Carre: 1979
You touched me: 1947